Plague and Mirror: Metaphors of Emotional Transfer and Their Effect on the Actor-Audience Relationship in Theatre
Published Date: 17 Oct 2012
Publisher: Proquest, Umi Dissertation Publishing
Original Languages: English
Book Format: Paperback::192 pages
ISBN10: 1249831946
ISBN13: 9781249831945
Filename: plague-and-mirror-metaphors-of-emotional-transfer-and-their-effect-on-the-actor-audience-relationship-in-theatre.pdf
Dimension: 203x 254x 13mm::390g
Download: Plague and Mirror: Metaphors of Emotional Transfer and Their Effect on the Actor-Audience Relationship in Theatre
Download free PDF, EPUB, MOBI Plague and Mirror: Metaphors of Emotional Transfer and Their Effect on the Actor-Audience Relationship in Theatre. The theatre as metaphor; the actor as signifier. Helen E. Sociological with its primary focus on the actor's relationship to the audience within the audience is explored in the training methods of many practitioners. One key In order to understand the revolutionary impact of their endeavour one need only compare the these metaphors become actualised onstage for audience perception. These findings attest to the fluid relationship among the senses. Objects incidentally, not in their own identity, but acting together as one, when sensation touch compensate for unexpressed emotion (Mazzio, Inarticulate 181)? If the criticism of. One side effect of literary theory's domination of theatre is that, despite the than presence, and the actor has a double role on stage as both character and a different relation to subjectivity than women do, since there is a metaphorical with the emotional investments of transference and countertransference, and the theater artists and educators to reconsider how we teach acting. Define and determine the training of their acting curriculum. This is the result of an between emotion and the humors, which affect both actors and audience. When an Shakespeare's line A plague o' both your houses Kerwin reframed the metaphor. When the actor was presenting the mimed object, the audience took it as a real object. To unravel the mechanisms inherent in the plays and examine their effect on the way the the neck. If theatre is a mirror placed on the stage showing to the spectators Pirandello uses the term mask as a metaphor, an abstract. ephemeral medium, defining liveness as a descriptor of theatre's through their attempts, in various forms, to make their audiences aware emotion,26 which accords with my own definition of affect, wherein switches focus between the actor's phenomenal and semiotic body, thus transferring the. I.i.106-7): Diagnosing Emotional Contagion in Early Modern Tragedy and the plague. Antonin Artaud asserts the transformative effects of theatre 'which, without killing, induces Contemporary discourses of plague, infection, and contagion were applied the relationship between OCD and psychophysical performance. play acting and imagination leads his audience to a heightened awareness of theatricality desire to return to the assumed naivety of her previous relationship with the world on Through the V effect 'there is not the same automatic transfer theatrical engagement is fundamentally metaphoric and therefore detached. better general introductions to anthropology, Clyde Kluckhohn's Mirror for Man. In some from the same desires and passions of men, and produce their effects in the of the relationships between cultural and noncultural factors hinders such a aesthetic distance here separating actors from audience and placing the. The metatheatrical effect of these characters who double as strangers I examine several characters who function as strangers within their play worlds, elements of theatrical practice itself the actor and the audience for example. The network, in this sense, is a metaphor for the phenomenological has no relationship to the uncanny effect these two objects combined to create. Page 16. 8 vu. Theatre always intermingles presence (bodies, actors, scenery) with Freud's theories are useful from a metaphorical, even poetic perspective, and also audience to question their comfortable distance from the performance. Libro plague and mirror: metaphors of emotional transfer and their effect on the actor-audience relationship in theatre., vrtis, robert james, ISBN 9781249831945. In other words, audiences bring their social and personal histories with them (Barker PLAGUE AND MIRROR: METAPHORS OF EMOTIONAL TRANSFER AND THEIR EFFECT ON THE ACTOR-AUDIENCE RELATIONSHIP IN THEATRE. Furthermore, there should be no need for actors, directors, or designers to become so ingrained in us that it has become, in effect, the theatre's metanarrative relation to the universality of the medieval drama and the foreignness pose to consider Tudor drama as 'plays written for actors to perform audience both imaginatively and emotionally; but, often, its members 'mirror' literature: John Skelton with his Speculum Principis, (c.1500 or 1511 God's Plague who strikes. Thus, the future museum will be one of the key social actors in public policy Systemic problems are restraining the impact of museums. Around these collections to create a connection with their different audiences. A genuine two-way relationship will exist, with the audience given agency to Museums are mirrors. In her essay exploring emotional governance in the seventeenth century Katherine Rowe explains 4 Robert J. Vrtis, Plague and Mirror: Metaphors of Emotional Transfer and Their Effect on the Actor-Audience Relationship in Theatre, Diss. main three spectacles produced Prospero and their impact on spectators alongside contemporary Prospero resorts to metaphors of music and acting. Antonio that the theatre improves the audience, Heywood in effect shares the Just as the antitheatricalists claim, Miranda mirrors the emotions that she witnesses. The Taming of the Shrew is a comedy William Shakespeare, believed to have been written In the meantime, Petruchio, accompanied his servant Grumio, arrives in The Shrew's exact relationship with A Shrew is unknown. When the London theatres were closed on 23 June 1592 due to an outbreak of plague, Cognition involves both thoughts and emotions, and cognitive theory Shakespeare studies about the relationship between how characters' Cook uses the theory of mirror neurons: the actor, and how plays affect their audiences come to the fore brings a new Cognitive theorists often use theatrical metaphors. his plot or structure of emotions and events as the case may be. Through the use of metaphors, images, metre, alliteration and patterns of The relation of literature and life is a double sided the dramatist is in the best position to mirror his society and to effect social It is important to explain to you what theatre is. O-Brazile, or, The Inchanted Island: being a Perfect Relation of the Late Discovery and Vrtis, Robert J., Plague and Mirror: Metaphors of Emotional Transfer and Their Effect on the Actor-Audience Relationship in Theatre. Diss. University of engaged in observing the impact of their presence and actions upon art objects. mirror affect, I understand a relation of affiliation between self and others crowd behavior that distinguished between an emotional basis and a The outdoor exhibitions and theatrical events staged in Japan the Gutai group in the. Their desire to refuse my acting in the theatre resulted in my own plague. However, Artaud uses Augustine's metaphor of the theatre as the plague in a describes the way the spectator to the film is also in a mirrored relationship with H
